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  • Tension / definitions / COMMUNICATION



    Walter & Group......

    From Capt. Greg Rahe (Who is in the Turks & Caicos running a bonefish lodge there) :-

    Gordy,

    Completely agree with you on tension (feeling the rod load and unload), those who argue, have not learned to dissect the casting stroke. The human hand can do only what it ‘feels’ during the casting stroke. You can fill your head, but the hand don’t listen.

    In taking decent casters in saltwater who are struggling and making them digress to one handed tip casting at 40 feet, I most often find them naturally drifting back a little after stop from the sheer force of “tension.”  From that position they easily understand and adopt the “Belgian” and your and mine permit delivery.

     

    (1.) Technically, I think you are correct in that there is tension with both straight line casts and elliptical casts including the kinds of, "Belgian" casts which I described.  This is denied by some who may not have thought it through.)

    Greg

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    Ally Gowans' answer to my message on tension.  His comments are in my text in red.  I suggest reading it through.  Then read it again after my answer below his to gain a very different perspective.

    Gordy

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    Hi Gordy,

     

    I will attempt to answer and still make sense – not easy!

    The burning question of tension.

    The so-called, "Belgian" cast can be done in several ways.  When permit fishing, I sometimes use a modification where the back cast is done using a different rod (casting) plane than the forward cast..... sometimes with a very brief pause after the back cast stop and more often by having no real, "stop" on the back cast, but moving the rod tip around in an elliptical fashion smoothly to morph into my forward cast.  I start the back cast in the almost horizontal plane, then bring the rod around to an off vertical plane for the forward cast.

    This example is in my opinion a combination of two casts because you made a back cast and stopped (or significantly changed acceleration) to project the line backwards but during the normal pause time you drifted elliptically instead of straight and kept tension on the line at that time and then continued forward. You made a back cast because the fly went behind you – we measure casting distance from the caster to the fly. Incidentally the weight of the fly in relation to the line can have a considerable influence on how the cast behaves. With a spinning rod an elliptical movement in the back swing is a Belgian cast type with the lure/line mass relationship being reversed compared to fly casting. In fly casting it is assumed that the fly is carried by the line but we know from practice that a heavy fly acts like a projectile and can straighten out the end of the line too, so we can have a bit of both worlds.

    The points up to which I was leading are these:-

    1.) Technically, I think you are correct in that there is tension with both straight line casts and elliptical casts including the kinds of, "Belgian" casts which I described.  This is denied by some who may not have thought it through. If you accelerate the rod tip and pull the line there has to be tension.

    2.)  With straight line casts tension lessens dramatically after the stop on the back cast during the pause.....especially when drifting.  Yes and this was the reason that long ago with slow rods of hickory, lancewood, greenheart and the like and square plait silk lines the guides folded against the rod during the pause to stop the line running back down the rod whilst it was close to the vertical position. Some members of the Group in the past have thought that it is eliminated at that point.  It is NOT ..... for if so, the loop would travel back, then fall to the ground without having unfurled.  At least some tension between the traveling loop and the rod tip being needed for it to unroll.  Very little or non I suspect during part of the movement but certainly tension builds up and causes the line to straighten if the line loop has sufficient energy. If not the cast falls slack at the end. Just thinking a little more about this, the rod energises the line which is practically straight somewhere behind the rod tip. So this line is now hurtling in the direction that it was sent whilst the rod tip has ducked away from it. A loop forms at the rod tip as the line is folded whilst passing the rod, the loop at this time has very little tension. The energy is in the following line that is trying to pass the rod. Hence we see the curious line loop shape traced by the movement of the rod tip immediately after the stop. The line continues to pass the rod tip and as it does so the tension builds up and the loop shape changes to reflect the tension in the line and the direction of the line.   Granted that drift back drift of the rod tip at near the speed of the travel of the loop, there is precious little.  Even then, some exists because the drift of the rod tip would rarely be at the same velocity as that of the loop.

    Proof for skeptics lies in the simple experiment done by cutting the running line, then making an overhead backcast. Tension is eliminated as the cut line leaves the rod tip.  The loop never completely unrolls and falls to the ground. To straighten a line you must have tension and in the case of the fly line that tension is between the rod and the loop and between the loop and the fly.

    3.)  With true elliptical casts, as I consider the, "European continuous tension casts" to be along with one of the methods of making the, "Belgian" cast which I described , there is tension as well .....the difference being that with these casts the tension is maintained to a much greater degree almost (though not quite) as "continuous" or, "constant".  This is maintained as the casting arm is smoothly repositioned for the forward cast.  No actual, "stop" or pause being employed.  Of course this will vary with each caster and each cast. If there is no stop or significant change in acceleration the line will not project into a “back cast”. If the line forms a travelling loop and the fly is projected behind the angler there was certainly a back cast. I think what you are doing here is maintaining tension between two casts rather than making one continuous cast. This cast belongs to the “straight line family”.

    4.) I look at the Spey casts as forms of elliptical casting.  As I marvel at the smooth appearance of continuous tension as you make your D-loops and continue into your forward stroke; there appears to be little or no pause and no defined stop.  The continued rod bend is evidence of this continued tension. Ah here we are using true elliptical casts. There is no back cast, the fly never moves behind the rod tip to form the D loop and the D loop shape is determined by the rod pulling the line around and then accelerating away from the mass of the loop. Tension should be maintained in the line at all times. The rod must not stop, in fact it accelerates all the way through the cast, it’s just that the acceleration is elliptical rather than straight. Acceleration remember is the rate of change of velocity which is a vector quantity so even apparent slowing down whilst changing direction can produce positive acceleration. Look it that more simply in this case by accepting that increasing tension in the line exhibits acceleration, no tension and the line will slacken. Slack line is not allowed in any cast! Simply put for true elliptical casts – if you stop – the line will drop – the cast will flop!  Actually if you stop midway through any cast it will flop, same rules again!

    I sincerely hope that this makes sense and suspect that it will raise a few eyebrows!

     

     Best wishes,

    Ally Gowans

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    Ally ...   Your comments make good sense to me.  Especially when I consider that most of us have considered that a back cast has taken place any time the LINE is projected behind the rod tip.

    We have been teaching that even with a static roll cast, the loop lying on the ground where it was placed behind the rod tip or, for short roll casts, where it hangs from the rod tip behind the caster is a, "back cast".  I realize that is stretching a point.

    Using our definition, even the D-loops of true Spey casts are seen as, "back casts".

     

    Your definition of a back cast, I see, is that the FLY must be projected behind the rod tIp.  SUDDENLY A LIGHT GOES ON !

     

    Once we understand these basic differences, all this becomes much easier to understand.  Reminds me of the "definition" of a mend among the few salt water fly fishermen years ago being the stripping of unwanted slack after the cast.  Had nothing to do with repositioning the line the way trout fishermen looked at it.  Now we're all on the same page with that one.

    Perhaps we'll visit these definitions with our Glossary Committee.

    I am in full agreement with your comments on the heavily weighted fly.

    This discussion represents the power of COMMUNICATION to yield understanding as we converse with our fly casting instructors across oceans.

    Gordy

     

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