[Date Prev][Date Next][Thread Prev][Thread Next]
Thread Index
Date Index
Subject Index
Fighting fish / drift & followthrough / loop shape
- Subject: Fighting fish / drift & followthrough / loop shape
- Date: Sun, 06 May 2007 12:25:40 -0400
Walter & Group.........
From Rick Whorwood:
Hi Gordy
Have you seen Chasing Silver A Tarpon Journey, it
has a great sequence where Andy Mill explains putting pressure on a Tarpon?
Andy uses a one piece Loomis Cross Current rod, he has a pulley
system hooked to a table with a bucket of sand (12lbs I believe) he then
demonstrates by pulling on the rod at different angles, explaining
the effect and amount of pressure you put on the fish. If you haven't
seen it Bruce Chard has a copy.
`````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````
Rick...
I have seen it .... it's right on target. As you know, Andy has won
many tarpon events and holds a 202 lb. fly caught tarpon IGFA record. My
personal preference for large tarpon is that same one-piece cross current rod
.... although I still love my Loomis Mega 8 1/2" rod. (That one has been
out of production for several years ..... I have an extra blank in case I ever
break it.)
As you know, I'm very much in favor of putting max pressure on these large
fish. Trying to land them on "frog hair" tippets, following the fish for
long distances, giving in to his directional changes, etc. all result in
taking a long time finish the battle. When that occurs, it is doubtful that your
release will be successful. Once that fish gets his, "second wind",
the creature seems to pace and it becomes much harder to regain control.
Back when I used to fight fish that way, I'd release and then about 5 or 10
minutes later, several hundred yards away, I'd see a big commotion as a shark
attacked. I'm pretty sure that was the fish I'd just released.
If I finish off a large tarpon with sharks approaching, I'll lip gaff him,
slide him up on the deck of the skiff, fire up the iron and go at top speed for
a couple of minutes to release in a different area. Of course, I can't do
that if I'm in an area where other anglers are fishing, for if I do, I'll spoil
the area for all of them. Since my, "thing" is to fish when I can where
there are no other anglers or guides this is usually doable.
We did this one day when I was fighting a tarpon ..... two good sized lemon
sharkes had already made passes at the fish. Dave used the technique of
briefly turning the outboard engine on and off. He had to do that several
times to keep them at bay. This technique won't work with bull sharks or
hammerheads, I assure you.
Lots of shark tales .... to many for this board !
Gordy
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
From Jerry Puckett:
Sir Gordon:
When using the backcast as the presentation cast
how would one use the terms follow-through and drift? Do
they reverse? Can one called the presentation back cast a follow
through? In this case does the term drift apply? If so I was
wondering how to conceptualize
these terms regarding the backcast being the presentation cast.
Just a thought!
Thanks, Jerry Puckett
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Jerry ... Firstly, the "Sir" is undeserved !
I look at it that on the back cast presentation, the move would be
FOLLOWTHROUGH. On it's preceeding forward cast, I'd look at it as
DRIFT. Why ? I relate the terms for my own use to
what the move can accomplish. As I see it, DRIFT can increase available
stroke length and rod arc (tip travel) and allow for repositioning of the
hand/arm for the next cast..... whatever its direction. FOLLOWTHROUGH can
have a similar movement of the rod, yet cannot do those things for the
simple reason that when applied to the delivery cast, there is no
next cast.
My personal way of terming it. Not written in stone and still under
discussion by the Glossary Committee with nothing finalized in that
quarter.
Gordy
`````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````
From Gary Eaton........
Hi Gordy,
You posted "...perfectly timed thrust in an upward-outward direction
with split second timing very close to the RSP." in describing Steve Rajeff's
cast. This whets my thirst for more.
Where does the tip move for this? Is the entire rod moved up & out, or
just the tip? Is this the terminal movement to STOP or an after STOP maneuver
as "... This appears, also, to minimize the effect of counterflex and
rebound which may well contribute to the lack of waves in his line."
Thank you,
Gary Eaton
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Gary...
I don't know. When Steve tried to teach me how to do it, I never
gained the skill to do it consistently as he does, nor did we try to video it so
it could be timed in relation to his stop.
You can't thrust the tip without thrusting the rod, if you think about
it. I look at, "thrust" as quickly moving the rod in the direction of its
tip.
As he does it, it all happens so fast that the human eye can't discern the
happenings at the very end of his stroke from the split second before his
stop to loop formation.
I get best results as I try to do this by making my thrust as I make my
stop. At least that is what my brain tells me is going on at this brief
interval.
Steve is going to visit me in a couple of weeks. We'll work on
this. After that, I may have a more intelligent answer for you.
A while back, we did video a curve cast done with a wrist twist and return
..... so fast that we didn't know if this was all done prior to , at, or after
the stop. What we found was that the best curve was made with the wrist
curving in the direction we wanted the fly to go a split second before the stop,
while the return to neutral wrist position occured a split second after the
stop.
I suppose, technically, one could call that a , "cast-mend". The,
"cast" was in the direction the fly was to go, while the, "mend" was in the
direction the apex of the loop was to travel. To the naked eye, it all
appeared to occur at the stop.
Gordy