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  • Re: The Essentials



    Bob.....
     
    You did very well!  Note my comments in your answer text in RED CAPS.
     
                                                                                        Gordy
    ----- Original Message -----
    Sent: Thursday, October 13, 2005 8:31 AM
    Subject: Re: The Essentials

    Hi Gordy & group,
     
                            Here is my attempt at the mini-quiz answers. My answers appear in bold type after your questions.
     
    I of course know the most important member of the little family of essentials is considered to be the "Straight line path of the rod".  I personally have just a little difficulty with ranking the importance of the essentials because they are all so necessary for proficient casting. After all, what good would a "Straight line path" be with oodles of "Slack"? How could you cast without a "Stop" and a "Timely Pause" or by exerting improper "Application of power"? When discussing this with my students I stress the importance of all the essentials and explain that they work in unison to provide the substance of good casting.
     
    As always, thank you for all your efforts on our behalf,
     
    Bob Rumpf  
     
     
     
    Sent: Wednesday, October 12, 2005 9:19 AM
    Subject: The Essentials

    Group....
     
    By now, I'm sure you all know the well touted essentials of fly casting.  Let's see how you are at some questions which will test your understanding.
     
    1.)  Of the listed 5 essentials, which would you choose as the most important ? - The straight line path of the rod  YES.  (I'D USE THE TERM, "ROD TIP".)
     
    2.)  You have been asked to add a 6th essential.  What is it ? - Stop!    AGREE.
     
    3.)  Gary Borger is quoted as having written, "There are only two methods of casting...." What are they ? - straight line and constant tension or circular/elliptical   HE SAID, ..."STRAIGHT AND CURVED."
     
    4.)  To which of these 2 methods do all of the essentials apply ? - straight line  YES.
     
    5.)  One of these essentials, is: "Power must be applied in the correct amount and at the correct time." Now, try to complete this statement:-  For appropriate application of power during straight line overhead casting, we need, an accelerated acceleration to a speed up and stop 
     
    YOU ARE CORRECT.  I WAS LOOKING FOR THE TERMS, "TENSION", "ACCELERATION" AND "STOP".  (Your use of the term, "accelerated acceleration" fits with my own concept of what happens.)
     
    6.)  Another essential is that you must have a pause at the conclusion of each stroke.  Is this true of European Continuous Tension Casting ? - nope    AGREE.
     
    7.)  As part of the PAUSE essential, we are taught that the pause must be proportional to the length of line carried, ie. the length of the cast. (SHORT CAST/SHORT PAUSE.....LONG CAST/LONG PAUSE.)
    Now, what happens to the length of the pause as we increase loop speed ? - less pause time required
     
    YES.
     
     
    8,)  List some examples of line SLACK.
     
    1. Poor control with the line hand
    2. Holding rod too high to start the pickup (draws the line across the water to create slack)
    3. Wide sloppy loops
    4. Rod tip digression from the desired straight line path
    5. Poor timing (too brief a pause, or too long a pause)
    6. Wind
    7. Too little power for the amount of line carried
    8. Holding rod high for roll cast on days with tail wind (wind blows slack into  D-loop)
    9. Creep (shortening stroke length requiring over compensating quick short foward stroke)
        Almost too many scenarios  to mention
     
    YES, THESE ARE SOME CAUSES OF SLACK.  I WANTED EXAMPLES OF SLACK....( MY QUESTION SHOULD HAVE BEEN MORE CLEAR.)
     
     
    9.)  What is likely to happen if the caster has an ABSOLUTELY STRAIGHT LINE PATH OF THE ROD TIP during the forward cast ? - Collision of line with the rod tip
     
    YES.
     
    10.) Has anyone published a list of ESSENTIALS OF SPEY CASTING ? - Not in those exact words that I have seen. I have Simon's book and tape, he does a wonderful job of explaining the essentials, but he does not technically refer to that terminology (essentials) at least as I recall. Unless you are referring to his reference to the 180 degree rule of loop, leader and fly all being on "Orange"  line, did he allude to that being the essentials?
     
    I DIDN'T INTERPRET THIS AS A LIST OF, "ESSENTIALS".....THOUGH HE DID DISCUSS THESE PRINCIPLES.
     
    11.) One essential is that the stroke length must be proportional to the length of the cast (length of the line carried).  Does this include the rod arc, the translational movement of the hand, or the total tip travel ? - All
     
    AGREE.
     
     
                                                                                                           Gordy