[Date Prev][Date Next][Thread Prev][Thread Next]
  • Thread Index
  • Date Index
  • Subject Index
  • Re: Interim message - definitions



    Agree !
    
    G
    
    
    
    
    On Jan 27, 2012, at 1:21 PM, WALTER SIMBIRSKI wrote:
    
    > Gordy,
    >  
    > I know you have been caught in the middle of some interesting personalities but if I was to call you on the phone I don't think it would be to waste our time on this mess unless you wanted to unload some frustration. I can think of much more meaningful things to talk about.  ;-)
    >  
    > Walter
    > 
    > ----- Original Message -----
    > From: Gordy Hill <MasterStudyGroup@xxxxxxxxxxx>
    > Date: Friday, January 27, 2012 10:49 am
    > Subject: Re: Interim message - definitions
    > To: WALTER SIMBIRSKI <simbirsw@xxxxxxx>
    > 
    > > Walter,
    > > 
    > > You hit it on the nose !
    > > 
    > > It DID become "political".
    > > 
    > > This is one reason why I do not wish to go much further with 
    > > glossary/definition discussions on the Group messages at this time.
    > > 
    > > I don't even want to put the political stuff in emails.... 
    > > though I'll discuss them with you by phone.
    > > 
    > > Best,
    > > 
    > > Gordy
    > > 
    > > 
    > > 
    > > 
    > > 
    > > 
    > > On Jan 27, 2012, at 11:11 AM, WALTER SIMBIRSKI wrote:
    > > 
    > > > Gordy - Off the record
    > > >  
    > > > It has been a while since I've looked at either set of 
    > > definitions. It seems to me that the FFF version
    > > > has actually taken a step backwards since I last saw a 
    > > "complete" set. I can see now where the conflict comes from and, 
    > > as I wrote to you and Bruce the other day, there is a much 
    > > deeper, i.e. political issue, than what does or does not belong 
    > > in the casting stroke.
    > > >  
    > > > With respect to what does or does not belong in the cs my 
    > > feeling is that this is a semantic issue. Certainly we always 
    > > envision our casts as being perfect and without faults such as 
    > > creep but, like it or not, creep sometimes creeps in. As an 
    > > instructor I'm going to tell my student that he/she has 
    > > something in their casting stroke that doesn't belong there. The 
    > > semantic issue. to me, is how do I tell someone I see a fault in 
    > > their cs when, by definition, the fault cannot be part of his or 
    > > her cs? It seems that by definition only a fault free cs can be 
    > > considered an actual cs.
    > > >  
    > > >  
    > > >  
    > > > ----- Original Message -----
    > > > From: Gordy Hill <MasterStudyGroup@xxxxxxxxxxx>
    > > > Date: Friday, January 27, 2012 6:00 am
    > > > Subject: Interim message - definitions
    > > > To: Walter Simbirski <simbirsw@xxxxxxx>
    > > > 
    > > > > Walter & Group...
    > > > > [GH]  I don't want to put the Group in the position of 
    > > > > trying to craft fly casting definitions or to "approve" 
    > > those 
    > > > > crafted by others.
    > > > > You have seen the Sexyloops definitions.  You have also 
    > > > > seen my "working definitions".  Frankly, I see 
    > > value  
    > > > > as well as problems in each of these renditions.  At 
    > > the 
    > > > > same time, I don't see perfection (if that can ever be 
    > > achieved) 
    > > > > in any list of fly casting definitions I've seen including 
    > > my 
    > > > > own variation on the FFF Glossary committee theme.
    > > > > Some look at definitions as "what they are".  Others, 
    > > as 
    > > > > "what they do".  Still others look at them in terms of 
    > > > > both.  Some, I think, are better for discussion among 
    > > > > experts.  Others are better for teaching fly casting.
    > > > > Since Bruce Richards referred to ones discussed by the FFF 
    > > > > Glossary Committee, and not formally approved by the CBOG, 
    > > I've 
    > > > > received several requests to share them and now feel 
    > > obligated 
    > > > > to do so.
    > > > > Bruce sent me the last version.  I have placed this in 
    > > an 
    > > > > attachment.We have spent enough time, I think, on CREEP & 
    > > > > DRAG.  Before returning to our topics on CASTING 
    > > FAULTS, 
    > > > > we'll send this message to (hopefully) put both the above 
    > > topics 
    > > > > to bed.
    > > > > Gordy
    > > > > ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
    > > > > [GH] From Mark Milkovich :
    > > > > Gordy,
    > > > > This discussion has been helpful in terms of examining my 
    > > own 
    > > > > thinking for consistency.  Would you mind 
    > > sharing:  the 
    > > > > “definitions we crafted” Bruce refers to in today’s post 
    > > and, if 
    > > > > it is not clear in the definitions, a description of the 
    > > > > “sufficient force” issue.
    > > > > Thanks,
    > > > > Mark
    > > > >  
    > > > > ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
    > > > > 
    > > > > [GH]  John Bilotta joins several of you as he makes the 
    > > > > same request :
    > > > > 
    > > > > Gordy, 
    > > > > At the bottom of Bruce's note he refers to "the definitions 
    > > > > we've crafted, they are very good."  Where are those 
    > > definitions? 
    > > > > Thanks,
    > > > > John
    > > > > 
    > > > > ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
    > > > > 
    > > > > [GH] From Mike Heritage :
    > > > > 
    > > > > Hi Gordy,
    > > > >  
    > > > > I am confused as to why any movement before rotation could 
    > > be 
    > > > > deemed outside the casting stroke (apart from creep). I have 
    > > > > always thought the cast started when the rod moved in the 
    > > > > direction of the cast whether it included drag or slide or 
    > > > > started rotation immediately. Why confuse things by 
    > > unblending a 
    > > > > fluid action.
    > > > >  
    > > > >  Mike
    > > > > 
    > > > > ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
    > > > > 
    > > > > Mike,
    > > > > 
    > > > > Good point.
    > > > > 
    > > > > Counterpoint:  Like an autopsy. A working system can be 
    > > > > taken apart to find out what made it tick.
    > > > > 
    > > > > Gordy
    > > > > 
    > > > > ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
    > > > > 
    > > > > [GH]  Mike,
    > > > > 
    > > > > This was one of the objections raised re. the definition of 
    > > > > casting stroke.  Some start the casting stroke with the 
    > > > > first movement in the direction of the cast.  Some with 
    > > the 
    > > > > beginning of rotation.  Others with the start of 
    > > > > significant acceleration.... on and on it goes.
    > > > > 
    > > > > Gordy
    > > > > 
    > > > > ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
    > > > > 
    > > > > [GH]  Steve Smith contributes to my note on Lefty's 
    > > casting 
    > > > > style :
    > > > > 
    > > > > Interesting note on Lefty.As I mentioned last week I spent 
    > > about 
    > > > > 15 minutes getting tutored by Lefty at Marlboro(what a 
    > > thrill 
    > > > > for me).you are right. I couldn't believe how locked his 
    > > wrist 
    > > > > was through the whole cast.He would rotate his arm ,shoulder 
    > > and 
    > > > > body to make the rod work.He also had a very good stop,which 
    > > of 
    > > > > course would help propel the line.I do have about 17 minutes 
    > > of 
    > > > > him doing his casting seminar which I taped(with his 
    > > > > permission),which I will send off once I figure out how to 
    > > > > upload to" you tube".
    > > > > 
    > > > > Steve
    > > > > 
    > > > > ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
    > > > > 
    > > > > 
    > > > > 
    > > > > 
    > > > > 
    > > > >
    > > 
    > >