Walter & Group...
Note the attachments. These are pieces sent by Ally Gowans which give us some insight on the historical reasoning behind the use of the term, "OVERHEAD CASTING". Take time to note the advice given on casting faults near the end of the text. As you do so, remember, that this was written in the 19th century.
Note the last of the attachments. This is a followup on our conversations on the causes of tailing loops started on Al Crise's Group G.
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STUDENT FEED BACK
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Student feedback from Peter Minnick:
Gordy....as a teacher of the deaf for over 35 years I always
demanded feedback from the student to make sure we were on the same
page...One of my teaching tools was to call upon a student at the end
of class to summarize the lesson in 2 minutes. Not knowing who was
going to be picked, this kept them alert and on top of the material
with more questions for clarification...
Another side of the coin is to determine the learning style of a
student. Is he/she a visual,auditory or kinesthetic learner...This may
not be readily apparent and there could be a combination but knowing
whether a student is right or left brain dominant helps to narrow
down how a student conceptualizes and processes information...
How people learn is really a whole other fascinating part to
the puzzle.... Peter
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Peter.....
That makes good sense. One can do it the way you did, or to gain feed back by student particapation at frequent intervals during the teaching period.
When Joan Wulff gave her instructor courses several years ago, she would do this in several ways. One was to video the students as they cast, then have each student critic his/her own cast followed by class comments. Another was to pare us up and have us teach specific things to one another under her watchfull eye. Lastly, she took a person who had never cast or fly fished and had us each teach that person to perform a particular portion of a fly cast.....
Gordy
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More on words to use when teaching
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From Ken Cole My brief comments in his text in bold italics G :-
Morning, Gordy
Attachment:
over and underhand.pdf
Description: Adobe PDF document
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From: Alastair Gowans
[alastair.gowans@xxxxxxxxxxxxxx] Sent: Wednesday, March 11, 2009 7:21 PM To: 'Gordy Hill' Subject: RE: "Line plane"- Other terms / Hearing vs. Understanding Hi
Gordy, Some History ? see also
picture. The overhead was the overhand and the rest were
underhand! May Fly Fishing (1889) ?
an extract from Fishing
Trout and Salmon by H Cholmondeley Pennell. The first cast to learn is the ordinary
overhanded one, in which the hand
holding the rod is raised so as to carry the rod backwards a short distance
beyond the perpendicular, feeling the line all the time, and, after a decided
pause, just as the weight of the line commences to bend the rod-top backwards,
the hand is brought forward and down again with a slightly increased velocity.
The motion of the hand throughout is smooth and without jerk, and should
describe a slight curve - the object of this curve being to prevent the line
when travelling backwards from coming in contact with the rod, or the line
itself when coming forward. If the fly is dry the cast on the water may be at
once completed, but if not, the backward and forward motion must be repeated a
sufficient number of times to thoroughly free the hackles and wings of the fly
from moisture. At times some difficulty is found in drying a May- fly
sufficiently. In this case one of two things has probably happened: either the
fly is thoroughly sodden, when it is as well to put up a new one, and leave the
other to dry in your, hat, after coaxing the wings, &c., into position with
your fingers; or the wings have got turned down and caught under the bend of the
hook; when the fly will neither dry rapidly nor float well. As the hand comes
forward the rod-point must be lowered, and the line delivered at a level of
about a yard above the water. The hand is then slightly checked and the fly
falls lightly and without splash. The checking serves a two-fold purpose:
firstly, causing the fly to land on the surface without disturbance, and
secondly, delivering it with plenty of slack line, which, as shown later on,
will prevent or retard its dragging. If it is necessary to make a very long
cast, the hand when travelling back must be raised above the level of the head,
so as to lift the line as high as
possible behind. This is called the steeple
cast. It may be laid down as, an axiom that the distance an angler
can cast is limited by the length of line he can keep, in the air behind, with
the addition of a few yards he can slide from the hand while delivering the:
fly; hence the advantage of
steepling when trying to make an extra long throw. It is also
necessary to steeple when there is a bank or bushes immediately behind the
angler; even with very long grass it is often useful.
If the wind is dead
in the face of the fisherman he must use a somewhat shorter length of gut, and
follow the previous instructions for casting, up to the point of delivering the
fly; but when the arm attains the angle of 45° with the plane of the water it
must be well extended, the knuckles turned down, and a cut made downwards and
towards the body, the elbow being at the same time raised and the rod-point
carried down to the level of the water. If accurately timed, this back motion
acts as a check, and the result is that the line is extended in the teeth of the
wind, the fly travelling out
straight, and falling lightly and without disturbance. This is called
the downward cut. For fishing against a very light wind, or across any breeze
short of half a gale, no style of casting is to be compared with the
underhanded or horizontal
cast. As may be inferred from its
name, it is a cast made underhanded or with the rod held in a horizontal
position. The movements are. precisely similar to those of the overhanded cast,
except that the rod is in a horizontal instead of a vertical position, and the
motion of it is in a direction parallel to the surface of the water instead. of
at right angles to it, as in the case of the overhanded cast.
The line should be
returned under and delivered over
the rod. To give a fair indication of the difference of position of
the angler, his rod and line, the accompanying plate (page 367), shows in
outline their relative positions, one in the overhanded and the other in the
underhanded cast. There are many good reasons why the underhanded cast should at
all times, where practicable, be used by the angler who desires to be
successful. With it he can throw against a moderate wind or across a strong one,
and his fly will in the majority of cases land on the water cocked, or floating with its wings up in the
natural position. This last is a very essential and important point when dealing
with shy fish, and with no fly and in no style of angling to so great a degree
as with the May-fly. Besides these advantages, there is another which, if
possible, is even of greater consequence than either, viz that with the
horizontal. cast the fisherman himself will work more easily keeping quite low
down, and, whether returning, casting, or drying the fly, neither his rod nor
its shadow is ever nearly so visible to, and consequently likely to scare, the
fish. There are only two difficulties to overcome when commencing to learn the
underhanded cast. The first is to get over the cramp caused by the alteration in
position of the hand and the strain on a set of muscles which are scarcely used
at all with the overhanded cast. The second, that from the fact of the
rod-point; and therefore the fly, travelling along the arc of a circle of which
the hand is the centre, and the plane of which is parallel to the plane of the
water, it is far more difficult to place the fly accurately over the rising fish
than with the ordinary overhanded cast, when it is directed in a straight line
down on to it. Both of these difficulties are, however, overcome by practice and
perseverance, and having once mastered this cast, the angler will never fail to
use it in preference to any other. It should also be noted that with this cast a
fly can be placed under overhanging boughs, or up under a bridge, where it would
be an utter impossibility to do so by any other
means. If the beginner finds that, without being
himself able to specify the cause of his non-success, he is not progressing, and
if he cannot get a friend who can cast to tell him of his faults, as a general
rule, and in all styles of casting, he may safely infer that he is getting into
the habit of either using too much force, or of casting and returning too
quickly very possibly he may be
falling into both these errors. Best
wishes, Ally
Gowans See my web sites http://www.letsflyfish.com and http://www.flyfish-scotland.com
2009 Spey Casting and Salmon
Fishing Schools at The This message is for
the named person's use only. It may contain sensitive and private proprietary or
legally privileged information. No confidentiality or privilege is waived or
lost by any mistransmission. If you are not the intended recipient, please
immediately delete it and all copies of it from your system, destroy any hard
copies of it and notify the sender. You must not, directly or indirectly, use,
disclose, distribute, print, or copy any part of this message
if you are not the intended recipient. From: Gordy Hill
[mailto:masterstudygroup@xxxxxxxxxxx] Alastair &
Group... Let's have some more answers to my request
for advice on roll cast practice.
G. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~` Food for thought on "LINE
PLANE" and casting terminology in general from Ally Gowans. My
comments in his text in bold blue
italics : Hi
Gordy, Here is another
challenge, what is line plane? What line plane is; is far from plain! How do you
describe/measure line plane? Is it measured in degrees form horizontal,
vertical, rod axis or what? A line can and usually does travel in more than one
plane so which is used to describe the cast. The rod and line can travel in
different planes, quite deliberately during casting so the rod plane and line
plane need not be the same. In
the fly casting literature and with in the field teaching, the use of various
"planes" has cause much confusion during the past few years. This is why I
brought up this subject . In my humble opinion, I must agree with you
completely that there really is no such thing ... and that it cannot be measured
as a geometric plane at all. Your right.... PLANE ISN'T PLAIN
! Even
with your preceeding paragraph, you use the term "rod plane" after both of us
had agreed not so long ago, that my use of that term was not as accurate as the
term "casting plane" which you preferred. I also agree that the "rod
plane" ("casting plane") would not be the same as the "line plane" ! I
think a better term for "rod plane" might well be "rod orientation".... in fact
when I taught "rod plane", I defined it as the ORIENTATION of the rod from
vertical to horizontal on either side of the caster ..... thus relating to the
ground. G. All the terms
you list below I will have used during teaching. My normal approach with
beginners is to have them understand that the same casting technique may be used
whilst altering rod planes in any number of steps from horizontal right to
horizontal left. The ups and downs between back and front, the 180deg principle
I refer to as tilt eg. Tilt into the wind ? one rule that covers any wind
component along the casting direction (the other wind rule is ?cast on the
downwind side? for across body wind components). Taking these together they
quickly learn how to adjust for any
conditions. Good
way to put it ! ( I do like that word, TILT.) When related to the ground
or water surface, one can easily measure the "tilt", "trajectory", or "launch
angle" as a simple angle ..... NOT a plane.
G. Let's start with the words to describe
"LINE PLANE" and see what word or word combo. might be best when teaching fly
casting to non scientific students. I'll start with a couple of
suggestions: #
TRAJECTORY. # LAUNCH
ANGLE. # AIM IT HIGH / AIM IT
LOW. # GO FOR THE SKY / GO FOR THE
WATER. # KEEP A STRAIGHT LINE BETWEEN YOUR
BACK CAST AND YOUR FORWARD CAST. # CAST BACK AND
UP. (I'll bet some of you can come up with some
better simple terms.) There is
another quandary that comes to mind. What is an overhead cast? Would Lefty?s
favoured style be called an overhead cast? If not what name do we give to a back
and forth (two cast) casting technique? There may answers in
history! Ally....
this is another term easily challenged. Historically, I think this term
may have been used to differentiate between horizontal casting with the rod
parallel to the ground. Other terms crept in perforce, since not all casts
were made with the rod vertical or horizontal ..... in fact almost all casts are
made with the rod oriented somewhere inbetween ..... so we got terms like "off
vertical" and "off horizontal". This gets even more problematical as we
view casts critically and note that when fishing, most casts are made with the
fly rod oriented a bit differently between the back cast and the forward
cast. This is best seen when standing behind the
caster. The
term "overhead casting" has also been used to differentiate the two cast (back
cast- forward cast) technique from the family of eliptical casts. Same
witht he term, "straight line casting" In
short, I think the term "overhead cast" might well be scrapped despite that it
has rolled off the tongues of casting instructors and authors for years.
"Straight line casting" may be a bit more accurate, but only in lieu of a better
term. Unfortunately, scrapping a well entrenched term would not be
easy. Going with a well informed interpretation of it may be
the way to go. G. Best
wishes, Ally
Gowans ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Hearing vs. Understanding as we
Teach ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Jim Valle sent us this message from Kirk
Eberhard's Spey Study Group :- Gordy and
Group, As you know I have
joined a spey study group as I work on my THCI (Kirk Eberhard) , interesting to
see how much of your study group ends up over there so here are a couple
interesting and important points re communication and learning from
that group that I thought would be appreciated by the Masters Study Group.
Especially Chuck Easterling?s observations?. Hope this helps,
Jim
V Group,
Good words from Chuck, my thoughts in
red. Kirk -------Original
Message------- From: charles
easterling Date: 3/5/2009 9:46:58
AM To: kirk
eberhard Subject: Re: Instantly
Forgotten/Rarely Understood Hi
Kirk, A good idea to
"test", have students/others reiterate/repeat your instructions.
Veteran instructor Ron Lauzon asks students "what
did I just
say", in a nice way of course.Ron points out that
students/ people hear/digest/perceive identical instructions in amazingly
different ways! "What did I just
say?" Kirk |
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From: Gordon Hill [hillshead@xxxxxxx] Sent: Thursday, March 12, 2009 5:31 PM To: Allen Crise Subject: Tailing loops Al...
As you can see, below, Bruce Richards and I have had messages back and
forth on the underlying cause of the tailing loop when inappropriate use of
power is employed. That has been a sticky one.
Thought I'd share this with you, because his analysis of this using the CA,
ends some wonderment of mine. It provides an EPIPHANY !!!
Bruce's comments preceded by ***** To help make it clear, my comments are
in bold italics. I have highlighted his key
statement with underlining and in RED.
Wonderful how we can learn from one another if we
remain inquiring with open and thirsty minds .
Gordy
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One may have premature release of power as the result of the
use of :-
1.) more acceleration in the beginning of the cast than can be maintained. ("Hitting it too hard too soon") or ("inappropriate application of power"). I see THIS as the tort which caused the whole problem. It makes the rod tip bend way down, then come up... a concave rod tip path. The premature release of power, likely wouldn't have occurred if not preceded by abrupt application of power. True, that abrupt application of power won't result in a tailing loop if the acceleration thus produced can be maintained....... however, the caster usually can't do that. (See, below.) ****Yes, this can cause a tailing loop, but I've never seen it. Obviously this is something the CA would show clearly. In over 4000 casts examined, I've never seen it happen. I've tried to do it myself, but have not been very successful. It is very difficult to accelerate a rod then slow the rate of acceleration before the "stop" begins. There is only about .5 sec. between the start of acceleration and the start of deceleration, really not enough time to slow the rate of acceleration prematurely, then stop, if done intentionally. To have it happen unintentionally just doesn't happen. Theoretically correct though... Typically what is seen on the casting charts for this flaw is slow acceleration early in the stroke, but not as slow as creep, then faster later. We call it "improper power application". Many miss the early, slow rotation and just see the much more obvious faster rotation later. Since the loop tails it is sometimes assumed that the accel must have decreased before the stop. Yes... I'm aware that the CA doesn't show this. However: 1. I did wish to include the theoretical problem in deference to Mel's thought process not being suspect. ( He never worked with the CA as far as I know.) 2. When this spike of inappropriate application of power does occur in the real world, a tail usually results. Both you and I have shown evidence (in different ways) that the rod tip finishes in an upward direction. However, I have not come completely to terms as to exactly WHY that occurs. Always seemed to me that if the tip went in an upward direction, that it had to be because of diminution of (or failure to maintain ) acceleration of the rod tip. How that can occur when the CA shows no loss of acceleration at the rod butt, I don't know. Perhaps you can help me on this one.... I'd love to be comfortable with this. G. *****I did have Mel cast with the CA a couple times. He was intrigued, but really didn't understand it... Yes, the tip rises at the end of most taling loop casts, but not to a level higher than it should be. The real problem is that it went too low prior to that. In the case of a casting arc being too narrow it is a bit of both, either reducing power to keep the tip higher through the middle of the stroke, or opening the arc to lower the tip at each end solves the problem. But in the more common cases of improper power application, the tip is usually at the right point at either end of the stroke, but too low in the middle. In this case I think it is more correct to point out how low the tip is in the middle than key on the rise at the end, that focuses the cure in the wrong place. NOW THAT MAKES IT CLEAR
!!!!! Gordy
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