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    Walter & Group...

    Note the attachments.  These are pieces sent by Ally Gowans which give us some insight on the historical reasoning behind the use of the term, "OVERHEAD CASTING".   Take time to note the advice given on casting faults near the end of the text.  As you do so, remember, that this was written in the 19th century.  

    Note the last of the attachments.  This is a followup on our conversations on the causes of tailing loops started on Al Crise's Group       G.

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                                                                       STUDENT FEED BACK

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    Student feedback from Peter Minnick:

    Gordy....as a teacher of the deaf for over 35 years I always

    demanded feedback from the student to make sure we were on the same

    page...One of my teaching tools was to call upon a student at the end

    of class to summarize the lesson in 2 minutes. Not knowing who was

    going to be picked, this kept them alert and on top of the material

    with more questions for clarification...

    Another side of the coin is to determine the learning style of a

    student. Is he/she a visual,auditory or kinesthetic learner...This may

    not be readily apparent and there could be a combination but knowing

    whether a student is right or left brain dominant helps to narrow

    down how a student conceptualizes and processes information...

    How people learn is really a whole other fascinating part to

    the puzzle.... Peter

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    Peter.....

    That makes good sense.  One can do it the way you did, or to gain feed back by student particapation at frequent intervals during the teaching period.

    When Joan Wulff gave her instructor courses several years ago, she would do this in several ways.  One was to video the students as they cast, then have each student critic his/her own cast followed by class comments.  Another was to pare us up and have us teach specific things to one another under her watchfull eye.  Lastly, she took a person who had never cast or fly fished and had us each teach that person to  perform a particular portion of a fly cast.....

    Gordy

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                                                    More on words to use when teaching

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    From Ken Cole My brief comments in his text in bold italics      G :-

    Morning, Gordy


    I'm on "Spring Break" from searching for "X" and "Y", and trying to get caught up on reading and responding to emails. These are just some random thoughts as I read.

    On the use of power: To beginning fly casters, the use of more power is good,sort of like most world leader. Understanding less power is not easy. In the past, I asked them to vary the amount of speed, and most had trouble with this, also. So I've started using a few prompts I picked up from Bill Gammel. "Cast slower." "Move the hand faster." "Use a longer cadence." "Pick up the pace." Any variation on these seem to be much more understandable, and in very few words, I get the point across.
     
    When I use the word "power" in a negative sense , ie.  USE LESS POWER, it seems to work.  The alternative terms work better when used in a positive way.    G.

    On back casts: I tell my students that fly casting is the only sport they'll ever play they will teach them to throw backwards, so make the back cast something that they can be proud of. To do that, make the back cast an "up" cast, not a "down" cast.

    On line plane: I have found that asking a student to change line or casting plane with "Stop the rod higher" usually gives an elevated hand position with the tip even higher, resulting in tails. After the students understand rod arc and stroke, it's easier for me to get them to adjust line plane by asking them to tilt the arc forward for a short cast and backward for a longer cast. I like Ally's suggestion to "Tilt into the wind."
     
    I like that, too .... but we must also give direction ... like a vector.  That way the student doesn't think, "...??? Tilt up ... or tilt down ???.    Same when we use the word "aim"    G.
     
    Ken
     
    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
     
                                                             ROLL CAST PRACTICE
     
    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
    From Tom Scheer:
     
     
    Gordy
    When practicing roll casting on grass, I slip my yarn fly into the ring that holds my car keys. I always have them handy. A clip board can also supply an anchor,by clipping the yarn fly down as you would a sheet of paper. Some explanation to a  student is in order about the anchor concept, or you may be asked  as I was  "isn't it going to be difficult to pick that up and cast it? 
    When teaching the roll cast, John VanDalens "word picture", No Power before Midnight " has served well to get the student to pull the line/rod tip into position before beginning the acceleration to the stop.
    regards,
    Tom
     
    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
     
    A lot to digest, here.  I'm about to take a break and go out fishing !!!
     
    Gordy
     

    Attachment: over and underhand.pdf
    Description: Adobe PDF document

    From: Alastair Gowans [alastair.gowans@xxxxxxxxxxxxxx]
    Sent: Wednesday, March 11, 2009 7:21 PM
    To: 'Gordy Hill'
    Subject: RE: "Line plane"- Other terms / Hearing vs. Understanding

    Hi Gordy,

     

    Some History ? see also picture. The overhead was the overhand and the rest were underhand!

     

    May Fly Fishing (1889) ? an extract from Fishing Trout and Salmon by H Cholmondeley Pennell.

     

    The first cast to learn is the ordinary overhanded one, in which the hand holding the rod is raised so as to carry the rod backwards a short distance beyond the perpendicular, feeling the line all the time, and, after a decided pause, just as the weight of the line commences to bend the rod-top backwards, the hand is brought forward and down again with a slightly increased velocity. The motion of the hand throughout is smooth and without jerk, and should describe a slight curve - the object of this curve being to prevent the line when travelling backwards from coming in contact with the rod, or the line itself when coming forward. If the fly is dry the cast on the water may be at once completed, but if not, the backward and forward motion must be repeated a sufficient number of times to thoroughly free the hackles and wings of the fly from moisture. At times some difficulty is found in drying a May- fly sufficiently. In this case one of two things has probably happened: either the fly is thoroughly sodden, when it is as well to put up a new one, and leave the other to dry in your, hat, after coaxing the wings, &c., into position with your fingers; or the wings have got turned down and caught under the bend of the hook; when the fly will neither dry rapidly nor float well. As the hand comes forward the rod-point must be lowered, and the line delivered at a level of about a yard above the water. The hand is then slightly checked and the fly falls lightly and without splash. The checking serves a two-fold purpose: firstly, causing the fly to land on the surface without disturbance, and secondly, delivering it with plenty of slack line, which, as shown later on, will prevent or retard its dragging.

     

    If it is necessary to make a very long cast, the hand when travelling back must be raised above the level of the head, so as to lift the line as high as possible behind. This is called the steeple cast. It may be laid down as, an axiom that the distance an angler can cast is limited by the length of line he can keep, in the air behind, with the addition of a few yards he can slide from the hand while delivering the: fly; hence the advantage of steepling when trying to make an extra long throw. It is also necessary to steeple when there is a bank or bushes immediately behind the angler; even with very long grass it is often useful.

     

    If the wind is dead in the face of the fisherman he must use a somewhat shorter length of gut, and follow the previous instructions for casting, up to the point of delivering the fly; but when the arm attains the angle of 45° with the plane of the water it must be well extended, the knuckles turned down, and a cut made downwards and towards the body, the elbow being at the same time raised and the rod-point carried down to the level of the water. If accurately timed, this back motion acts as a check, and the result is that the line is extended in the teeth of the wind, the fly travelling out straight, and falling lightly and without disturbance. This is called the downward cut. For fishing against a very light wind, or across any breeze short of half a gale, no style of casting is to be compared with the underhanded or horizontal cast. As may be inferred from its name, it is a cast made underhanded or with the rod held in a horizontal position. The movements are. precisely similar to those of the overhanded cast, except that the rod is in a horizontal instead of a vertical position, and the motion of it is in a direction parallel to the surface of the water instead. of at right angles to it, as in the case of the overhanded cast.

    The line should be returned under and delivered over the rod. To give a fair indication of the difference of position of the angler, his rod and line, the accompanying plate (page 367), shows in outline their relative positions, one in the overhanded and the other in the underhanded cast. There are many good reasons why the underhanded cast should at all times, where practicable, be used by the angler who desires to be successful. With it he can throw against a moderate wind or across a strong one, and his fly will in the majority of cases land on the water cocked, or floating with its wings up in the natural position. This last is a very essential and important point when dealing with shy fish, and with no fly and in no style of angling to so great a degree as with the May-fly. Besides these advantages, there is another which, if possible, is even of greater consequence than either, viz that with the horizontal. cast the fisherman himself will work more easily keeping quite low down, and, whether returning, casting, or drying the fly, neither his rod nor its shadow is ever nearly so visible to, and consequently likely to scare, the fish. There are only two difficulties to overcome when commencing to learn the underhanded cast. The first is to get over the cramp caused by the alteration in position of the hand and the strain on a set of muscles which are scarcely used at all with the overhanded cast. The second, that from the fact of the rod-point; and therefore the fly, travelling along the arc of a circle of which the hand is the centre, and the plane of which is parallel to the plane of the water, it is far more difficult to place the fly accurately over the rising fish than with the ordinary overhanded cast, when it is directed in a straight line down on to it. Both of these difficulties are, however, overcome by practice and perseverance, and having once mastered this cast, the angler will never fail to use it in preference to any other. It should also be noted that with this cast a fly can be placed under overhanging boughs, or up under a bridge, where it would be an utter impossibility to do so by any other means.

     

    If the beginner finds that, without being himself able to specify the cause of his non-success, he is not progressing, and if he cannot get a friend who can cast to tell him of his faults, as a general rule, and in all styles of casting, he may safely infer that he is getting into the habit of either using too much force, or of casting and returning too quickly very possibly he may be falling into both these errors.

     

     

     

    Best wishes,

    Ally Gowans

     

    See my web sites http://www.letsflyfish.com and http://www.flyfish-scotland.com

    2009 Spey Casting and Salmon Fishing Schools at The Kenmore Hotel April 17/19 and June 12/14. Trout fly fishing and fly casting school "Tackling Trout" at The Kenmore Hotel May 15/16/17, 2009. See my web sites for more details of schools.

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    From: Gordy Hill [mailto:masterstudygroup@xxxxxxxxxxx]
    Sent: 11 March 2009 16:26
    To: Alastair Gowans
    Subject: "Line plane"- Other terms / Hearing vs. Understanding

     

    Alastair & Group...

    Let's have some more answers to my request for advice on roll cast practice.     G.

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    Food for thought on "LINE PLANE" and casting terminology in general from Ally Gowans. My comments in his text in bold blue italics :

    Hi Gordy,

     

    Here is another challenge, what is line plane? What line plane is; is far from plain! How do you describe/measure line plane? Is it measured in degrees form horizontal, vertical, rod axis or what? A line can and usually does travel in more than one plane so which is used to describe the cast. The rod and line can travel in different planes, quite deliberately during casting so the rod plane and line plane need not be the same.

    In the fly casting literature and with in the field teaching, the use of various "planes" has cause much confusion during the past few years.  This is why I brought up this subject .  In my humble opinion, I must agree with you completely that there really is no such thing ... and that it cannot be measured as a geometric plane at all.   Your right.... PLANE ISN'T PLAIN !

    Even with your preceeding paragraph, you use the term "rod plane" after both of us had agreed not so long ago, that my use of that term was not as accurate as the term "casting plane" which you preferred.  I also agree that the "rod plane" ("casting plane") would not be the same as the "line plane" !  I think a better term for "rod plane" might well be "rod orientation".... in fact when I taught "rod plane", I defined it as the ORIENTATION of the rod from vertical to horizontal on either side of the caster ..... thus relating to the ground.   G.

     

    All the terms you list below I will have used during teaching. My normal approach with beginners is to have them understand that the same casting technique may be used whilst altering rod planes in any number of steps from horizontal right to horizontal left. The ups and downs between back and front, the 180deg principle I refer to as tilt eg. Tilt into the wind ? one rule that covers any wind component along the casting direction (the other wind rule is ?cast on the downwind side? for across body wind components). Taking these together they quickly learn how to adjust for any conditions.

    Good way to put it ! ( I do like that word, TILT.)  When related to the ground or water surface, one can easily measure the "tilt", "trajectory", or "launch angle" as a simple angle ..... NOT a plane.    G.

     

    Let's start with the words to describe "LINE PLANE" and see what word or word combo. might be best when teaching fly casting to non scientific students.   I'll start with a couple of suggestions:

     

    #  TRAJECTORY.

     

    #  LAUNCH ANGLE.

     

    #  AIM IT HIGH / AIM IT LOW.

     

    #  GO FOR THE SKY / GO FOR THE WATER.

     

    #  KEEP A STRAIGHT LINE BETWEEN YOUR BACK CAST AND YOUR FORWARD CAST.

     

    #  CAST BACK AND UP.

     

    (I'll bet some of you can come up with some better simple terms.)

     

    There is another quandary that comes to mind. What is an overhead cast? Would Lefty?s favoured style be called an overhead cast? If not what name do we give to a back and forth (two cast) casting technique? There may answers in history!

    Ally.... this is another term easily challenged.  Historically, I think this term may have been used to differentiate between horizontal casting with the rod parallel to the ground.  Other terms crept in perforce, since not all casts were made with the rod vertical or horizontal ..... in fact almost all casts are made with the rod oriented somewhere inbetween ..... so we got terms like "off vertical" and "off horizontal".  This gets even more problematical as we view casts critically and note that when fishing, most casts are made with the fly rod oriented a bit differently between the back cast and the forward cast.  This is best seen when standing behind the caster.

    The term "overhead casting" has also been used to differentiate the two cast (back cast- forward cast) technique from the family of eliptical casts.  Same witht he term, "straight line casting"

    In short, I think the term "overhead cast" might well be scrapped despite that it has rolled off the tongues of casting instructors and authors for years.  "Straight line casting" may be a bit more accurate, but only in lieu of a better term.   Unfortunately, scrapping a well entrenched term would not be easy.    Going with a well informed interpretation of it may be the way to go.   G.

     

    Best wishes,

    Ally Gowans

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                                                           Hearing vs. Understanding as we Teach

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    Jim Valle sent us this message from Kirk Eberhard's Spey Study Group :-

    Gordy and Group,

    As you know I have joined a spey study group as I work on my THCI (Kirk Eberhard) , interesting to see how much of your study group ends up over there so here are a couple  interesting and important points re communication and learning  from that group that I thought would be appreciated by the Masters Study Group. Especially Chuck Easterling?s observations?.

    Hope this helps,

    Jim V

     Group,

        Good words from Chuck, my thoughts in red.

    Kirk

     

    -------Original Message-------

     

    Date: 3/5/2009 9:46:58 AM

    Subject: Re: Instantly Forgotten/Rarely Understood

     

    Hi Kirk,
     
    This is an interesting question.  My suspicion is that the written and  spoken word often are not very good tools for communicating what the instructor is trying to convey. 
    Agree
     
    I would suggest that frequently we think our "words" are conveying our thoughts and we "think" the person to whom we are speaking is understanding what we are saying but often that is not the case.
    True words! In order to avoid embarassment students/others often respond with an afirmitive nod even if they don't understand/don't have a clue.

     A good idea to "test", have  students/others reiterate/repeat your instructions. Veteran instructor Ron Lauzon asks students "what did I just say", in a nice way of course.Ron points out that students/ people hear/digest/perceive identical instructions in amazingly different ways! "What did I just say?"
     
    A few years ago I had an opportunity to spend some time with Al Kyte and we went out to a ballfield and videoed my casting.  At the ballfield Al made some observations about my mechanics and I thought I understood what Al was saying.  When we got back to my house, Al and I sat down and looked at the video with Al again going over what he said at the ballfield.  Wow!  It was an eye opener being able to hear Al's comments while seeing the video gave me  a much better understanding of what he was saying.  That has stayed with me and now whenever I give a lesson I try and take a video camera along to help insure the student understands what I am saying. 
     
    Along these same lines, several years ago Bruce Richards and I were out casting and Bruce was explaining something to me which I thought I grasped.  Bruce then said something along the lines of, "Here, put your hand on top of mine and feel what I am doing."  Again, what he was saying became much clearer.  I think these two examples gave me a much better idea about how I learn and they have certainly influeneced how I teach.
    Excellent points, thanks for sharing.

    Kirk
     
                                                         Chuck


    From: Gordon Hill [hillshead@xxxxxxx]
    Sent: Thursday, March 12, 2009 5:31 PM
    To: Allen Crise
    Subject: Tailing loops
    Al...
     
    As you can see, below, Bruce Richards and I have had messages back and forth on the underlying cause of the tailing loop when inappropriate use of power is employed.  That has been a sticky one.
     
    Thought I'd share this with you, because his analysis of this using the CA, ends some wonderment of mine.  It provides an EPIPHANY !!!
     
    Bruce's comments preceded by ***** To help make it clear, my comments are in bold italics.  I have highlighted his key statement with underlining and in RED.
     
    Wonderful how we can learn from one another if we remain inquiring with open and thirsty minds .
     
    Gordy
     
     
    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
     
    One may have premature release of power as the result of the use of :-

     1.) more acceleration in the beginning of the cast than can be maintained.
     ("Hitting it too hard too soon") or ("inappropriate application of
     power"). I see THIS as the tort which caused the whole problem. It makes
     the rod tip bend way down, then come up... a concave rod tip path. The
     premature release of power, likely wouldn't have occurred if not preceded
     by abrupt application of power. True, that abrupt application of power
     won't result in a tailing loop if the acceleration thus produced can be
     maintained....... however, the caster usually can't do that. (See, below.)

     ****Yes, this can cause a tailing loop, but I've never seen it. Obviously
     this is something the CA would show clearly. In over 4000 casts examined,
     I've never seen it happen. I've tried to do it myself, but have not been
     very successful. It is very difficult to accelerate a rod then slow the
     rate of acceleration before the "stop" begins. There is only about .5 sec.
     between the start of acceleration and the start of deceleration, really
     not
     enough time to slow the rate of acceleration prematurely, then stop, if
     done intentionally. To have it happen unintentionally just doesn't happen.
     Theoretically correct though... Typically what is seen on the casting
     charts for this flaw is slow acceleration early in the stroke, but not as
     slow as creep, then faster later. We call it "improper power application".
     Many miss the early, slow rotation and just see the much more obvious
     faster rotation later. Since the loop tails it is sometimes assumed that
     the accel must have decreased before the stop.

     Yes... I'm aware that the CA doesn't show this. However:
     1. I did wish to include the theoretical problem in deference to Mel's
     thought process not being suspect.  ( He never worked with the CA as far
     as I know.)

     2. When this spike of inappropriate application of power does occur in the
     real world, a tail usually results.  Both you and I have shown evidence
     (in different ways) that the rod tip finishes in an upward direction.
     However, I have not come completely to terms as to exactly WHY that
     occurs.  Always seemed to me that if the tip went in an upward direction,
     that it had to be because of diminution of (or failure to maintain )
     acceleration of the rod tip.  How that can occur when the CA shows no loss
     of acceleration at the rod butt, I don't know.

     Perhaps you can help me on this one.... I'd love to be comfortable with
     this.  G.


     *****I did have Mel cast with the CA a couple times. He was intrigued, but
     really didn't understand it...
     Yes, the tip rises at the end of most taling loop casts, but not to a
     level higher than it should be. The real problem is that it went too low
     prior to that. In the case of a casting arc being too narrow it is a bit
     of both, either reducing power to keep the tip higher through the middle
     of the stroke, or opening the arc to lower the tip at each end solves the
     problem. But in the more common cases of improper power application, the
     tip is usually at the right point at either end of the stroke, but too low
     in the middle. In this case I think it is more correct to point out how
     low the tip is in the middle than key on the rise at the end, that focuses
     the cure in the wrong place.
     
     
    NOW THAT MAKES IT CLEAR !!!!!    Gordy